SCHOOLS
of Salmon
Creek 🎏


The 2026 session is *FREE* September 1st to October 26th. Applications close March 4th. Early application fee expires end of day (midnight PST) Wed, Jan 14th.

Schools of Salmon Creek is an annual land-based student-run free school for artists *of all kinds* at Salmon Creek Farm. We carry on the legacy of the original counter-culture commune to this next chapter on the land by considering abundance, care-taking, climate, community, ecology, embodiment, habitat, inter-dependence, mystery, resilience, resourcefulness, self-sufficiency, sensuality, shelter, sustenance, and stewardship; getting off screens and out of doors; where the teachers are the land and each other.

For artists seeking a deeper connection to the natural world as a context for their work while engaging with other artists - we offer time, space, community, and the opportunity to participate in the daily life of the Salmon Creek Farm sanctuary on the Mendocino Coast. It is a good place to step away from daily routines and surrender to the cycles of life close to the land as part of an improvised artist community.

This is a space for active engagement, with the land and each other, not a residency to bring work in process, nor a conventional school where artists produce work alone in a studio. There are no typical indoor facilities or production spaces, just a desk in your private cabin, the triangle Dance Deck, the Outdoor Kitchen, the orchards & gardens, the riparian valley of Salmon Creek, and 33 acres of coast redwoods.

How can we awaken all of our senses and be attentive artists in the world today?

In some ways, you’re just another creature on the land, as soon as you arrive and as long as you stay, in communion with other creatures and the past and future humans: warmed by wood from the land that those before you may have chopped, sowing a garden and tending an orchard that may feed those coming after you, using water from the spring, contributing to the richness of the soil with your compost, while honoring and learning from indigenous knowledge.

It is a unique chance to expand your art practice while cultivating fundamental life and survival skills - that can provide a sense of agency and security to the precarious life of an artist - and who knows, they might even find their way into your art practice some day. Come with an open mind, the willingness to improvise, a spirit of generosity, the capacity to respond to the environment in adaptive ways, and a sense of adventure.




Offerings & Intentions



Artists come not as empty vessels to be filled - but as active agents in a school we make together, with hands involved in the daily life of the land, while co-creating the curriculum. Plan on around four hours of scheduled time together Monday to Thursday plus presentations of student work and a shared evening meal. The rest of the time is free, for art-making, musing, exploring the coast, engaging with the land and each other. The daily program is set in advance and then adjusted by the group as needed with guidance and support from a local artist guide/facilitator.

Each artist comes with both an intention for their time on the land and an offering, a skill or capacity to offer the community in at least one of these seven expansive categories that may - or may not - be a part of what they consider their art practice:

  • SHELTER: building, repairing, sheltering...
  • FOOD: cooking, baking, fermenting...
  • LAND: gardening, cultivating, farming...
  • CRAFT: weaving, knitting, potting...
  • PRINT: publishing, storytelling, printing...
  • SHOW: performing, dancing, staging...
  • CARE: stewarding, caretaking, tending...

Artists offer at least six hours per week of service to the community in some form (like leading skill-shares, workshops, morning movement lessons on the dance deck, food cultivating clinics, native clay harvesting sessions, forestry stewardship walks, wood-working intros, seaweed foraging excursions, cooking classes that provide daily communal meals, collective publishing projects, etc.), all through the lens of the artist. Each artist is responible for one aspect of operations on the land, which will be discussed and assigned on the first day. Weekly work parties are focused on seasonal operations like processing our firewood that warms us, tending the food gardens that feed us, and generally stewarding the land we enjoy together. 

Everyone is connected a few weeks before arrival, to make introductions, share reading lists, and details of their proposed offerings and intentions. We also offer connections to local collaborators, resources, and facilities nearby including Cider Creek Collective and The Mendocino Art Center. We are regularly joined by special guest artists from the extended Salmon Creek Farm community.

Each season culminates with a public presentation of work out in the community, perhaps with a partnering local or urban venue, to be determined and organized by the group - accompanied by a 1500 word essay, story, or statement by each artist.




Program & Calendar



2026 Calendar

  • Jan 4th: applications open.
  • Mar 4th: applications close.
  • April: invitations.
  • Sep 1st: arrivals.
  • Week 1: introductions, land orientations, and artist presenations.
  • Weeks 2-7: regular programs.
  • Week 8: final show and closing activites.
  • Oct 26th: departures.

Daily Life
Subject to adjustments over time with input from the group.

  • 8:30am: (Mon-Fri) Morning Movement on the Dance Deck.
  • 9-9:30: (Mon) Breakfast meeting.
  • 10-11: (Mon) Reading Circle, taking turns leading discussions on a book proposed to the group.
  • 10-1: (Tue) Artist lead workshops or skill-shares.
  • 10-1: (Wed) Weekly work party, seasonal activities on the land.
  • 10-1: (Thu) Local field trip, taking turns leading us out into the community.
  • 6pm: (Mon-Thu) Communal evening meal, taking turns cooking and assisting.





Community


Summer 2025 session June 2nd to July 18th:
Ruby Isabella Yon JägelRino KodamaSebastian LooAlejandro MedinaPrincess Organ, and Allie Sullberg.

Visiting artists: Kim Yasuda, Nico Young, Paloma Dooley, Raina Lee, Krystal Chang, Alex Baren, Anna Sew Hoy, Malik Gaines, Xandro Segade, and Nicolás Colón. Visiting cooks: Ben Mims and Julia Peterson. 
A collaborative exhibition of work from their time on the land The Sun at Mid-day presented at the Mendocino Art Center July 12th to August 4th, 2025. Catalog to come.

Fall 2025 session: September 1st to October 17th:
Misa ChhanAnaïs Cooper-HackmanMiles JoplingKylie ObermeierRay Madrigal, and Matthew Morrocco.

Guide: Rino Kodama
Visiting artists: Anna Sew Hoy, Eve Fowler, Diedrick Brackens, Adam Zeek, Nancy Nguyen, and Gui Veloso.
Final public presentation of work “Salamander Shoe“ at Big River Beach in Mendocino village on October 15th from 5-8 pm, for experiments across mediums interwoven between sand, driftwood, and waves. 



Advisory Committee:
Ben Anderson, artist, SCA acting Programs Manager, 2025 (LA)
Alex Arzt, artist, SSC Visiting artist (Oakland)
Dav Bell, director Mendocino Art Center (Mendocino)
Nicolás Colón, artist, SCA Board, Climate Control Gallery, SSC 2025 Visiting Artist (SF)
Jay Ezra Nayssan, curator/writer, Del Vaz Projects (Santa Monica/Mendocino)
Nikita Gale, artist (LA)
Fritz Haeg, director SCA/SCF (Albion/SF)
Rino Kodama, artist, SSC Spring 2025 alumni, SSC Fall 2025 Guide (Albion)
Raina Lee, artist, SSC 2025 Visiting Artist (LA)
Dylan McLaughlin, artist, SCA board (NY)
Diana Nawi, curator, LACMA (LA)
Nils Norman, artist, professor Munich Academy of Fine Arts (Munich / Amsterdam)
Larry Rinder, curator/writer, retired director BAMPFA (France)
Anna Sew Hoy, artist, SSC Visiting Artist (LA)
Jessica Thompson, Cider Creek Collective (Albion)
Guilherme Veloso, 500 Capp Street co-director, SSC 2025 Visiting Artist (SF)
Kim Yasuda, artist, retired professor UCSB, SSC 2025 Visiting Artist (Santa Barbara)
Adam Zeek, artist/builder, SSC 2025 Visiting Artist (Portland)



Some Readings


A few of our touchstone texts...